|
RockWatch - - X - - RockWatch
|
- - Spot-Lite Interview
- -
|
A Good Time Promotional Journal
|
|
|

|
Eden Taylor
A Fractured Interview |

|
|
- -
This Eden Taylor interview took place during the month of July 2003
By Philip Kramer at RockWatch
- -
PK > How would you introduce yourself to those that may not know you
and the bands that are your music adventure? ET > I'm Eden Taylor, resident hired Gun and raging alcoholic.
PK > Were you born and raised with a bass guitar? ET > My dad was a blue grass musician-so naturally I was attracted to
the fast
picking style, and dynamic music sense that he had. I started
playing Metal-Guitar
when I was 14 but it was the '80's, and I found all
of the leads and styles back
then to be sterile, unfeeling and
homginized, so I quit guitar and switched to bass.
PK > What are some of the bands that you have played in and have you done
any solo or other mixed musician projects? ET > I've played in "Strap" (all-female metal-punk-jazz trio") and
"Vasoline Alley"
(offensive punk-show band), and I have a CD trilogy
coming out this fall that I
wrote on my own. (Viva Long is helping me
with vocals)
PK > Your bass guitar - do you have more than one and do you have a nick name
for your guitar and do you have any nick
names or alternative personalities that you
have fun with? ET > I have a G&L 2000 named "Ishitar 3-the Goddess bass"
because it is so
vicariously toned and so versitile, and yet strong
enough to stay in tune through all
my abuse. I also have a G&L 500,
red finish with a vinilla pick-guard I call the
"Cherry Flavoured
Sucubus" because it produces all those sneaky-unorthodox bass
tones,
it's very aggressive sounding and very sensual: and again stays in tune
through
all of my abuse. Im very loyal to G&L's. I also have an
Ibanez SG that I call
"crack-Baby", because it keeps cracking and
giving me problems. I'll probably
trade that one in for another G&L.
PK > Have you played any other musical instruments such as the Bag Pipes? ET > I played the flute.
PK > What type of music, bands and songs have had the greatest musical
influence on Eden Taylor? ET > I love Dumpster Juice (local), Iron Maiden ( I wanna have Steve
Harris's baby),
Tori Amos and Jaco Pastorius. Anyone who isnt afraid to
break barriers, work with
unusual dynamics and f*kk all the rules
appeals to me.
PK > Do you know many other women bass players? ET > Desdamona Raccelli from "Industrial Honey" is a versatile
bassist and
composer. Also, Pandora...who was in "All The Pretty
Horses" before I was -
I like her development and approach.
PK > Are there particular songs that you play that rock your soul more than others? ET > There are always some more than others, sometimes I get too technical and
loose the soul, otherwise I always 'feel' it.
PK > When and how did music become important to Eden Taylor? ET > It has always been a big part of my spirituality and mental therapy.
PK > Do you ever get carried away to some place called paradise
when you sit back and jam by your self? ET > Always...I'm very meditative, Sometimes I feel like I can hear
Gods speak
to me when I play alone for 9 hours without distraction.
(Of course, that could
just be sleep deprivation)
PK > What kind of wine or drink goes well with Eden Taylor and your bass
performance? ET > Stolichnya Vodka!!!!!! Babe!!!
PK > On stage, how do you keep your self in the groove or zone? ET > I eat a lot of Ritalin.
PK > Have you ever played the bass upside down as in hanging feet upward? ET >Yes, hangin from a rafter, the strap broke and my instrument hit
my nose...
blood everywhere and I ended up with a crooked 'ski-slope'
nose...I'll never do
that again.
PK > With " All The Pretty Horses " , do you have some great
moments that you
can share and ramble on about for the readers of
this interview? ET > Every show is an adventure with them. Once, My hair got caught
in Venus's
headstock and I almost yanked it out of her hands when I
tried to pull back.
PK > There must be alot of music venues and events that you have
played.
Do you have a special fondness for some of the events and
venues? ET > 1st Avenue with 'Sepultura' (1st band 'Strap'), CBGB's in New York,
(theres about 100 stories everytime I play there).
PK > Can we say that music is a passion for you and not an obsession to be
a rock star? ET > I gave up on the 'Rock Star' facade a long time ago.I play to keep myself
alive and prevent suicide.
PK > Have you ever thought of singing solo on a song or do you prefer backup
vocals? ET > I am very self-concious about my voice, people try to persuede
me to sing
more and say I have a good voice, but I'm too shy.
PK > Some bands have two guitars and one bass. Have you ever
considered doing
a song that has two bass players to see what
could grow out of that approach? ET > I always star in bands with 1 guitar player, beg for a second.
But I'm so
'noodely' that I end up covering the work of a bassist and a
rythum guitarist.
So I always end up in 3 or 4 piece bands.
PK > What can you tell us about playing with the band " Bleeding the Sick" ? ET >Good agression release-I love to play fast and agressively-I
have a very strong
attack, and 'Bleeding The Sick' lets me use that.
PK > As a bass player , do you ever have trouble with your G - string? ET > It slips all over! Argh! Aaaaakkk!!!
PK > How difficult can the music industry be at times and are there a number
of challenges to deal with? ET > That would take a couple hours...its a complete nightmare.
PK > Are you able to find time to do any artwork or writing?
Personal artistic expression. ET > I have 2 books I am writing, and 36-57 of my own songs.
PK > Is there a cartoon character that you may identify with? ET > Space Ghost-I'm always trying to act cooler than I actually am.
PK > Where do you like your music adventure to take you in the upcoming years? ET > To Hell's martini bar, I gotta talk to satan about some gigs
there. Then to
Heavan so I can have a long, hard talk with God, then to
the Middle-East because
I have some things to say to my oppressed
sistaz over there. - - - - www.rockwatch.org
|
|
|
|